![]() The sound mixer is fairly simple, especially if you are used to using something like Fairlight on DaVinci Resolve, but the complexity of Fairlight doesn’t align with the average creator, and it simply won’t be missed by that majority. ![]() You can produce voice-over content directly on Filmora 11 as can you create a preview render if you have a lot of titles and effects on the channel, so playback remains smooth, making it easier to get a proper look at your edit. “Filmora 11 is a piece of software that is simple enough for the brand-new content creator, but complex enough that it will grow with your skillset…” Simple tools for Transforming, compositing or stabilizing your footage are at your fingertips, as is the ability to chroma key, lens correction and keyframing. It has colour control with plenty of presets, but the customizability of your own flavour of fine-tuning combined with the ability to use LUTs for your footage. The timeline has all the tools one may hope for from any NLE, the razer for quick cuts or the speed controls to create some great slow motion or speed ramp ups. ![]() It can be separated for more fine-tuning, at which point the audio will jump down to the first audio track, but for beginner editors or those who just like to keep things simple, your entire timeline could exist on a single track. This is how it is defaulted if you don’t intend to manipulate the audio and video independently. Dropping a piece of content on the timeline will result in audio and video from that clip existing on the same line. Filmora 11 looks like virtually any other NLE (Non-Linear Editor), but it has an interesting difference from most. First off, let’s just have a quick look at the timeline.
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